The
debate in response to Hal
Niedzviecki’s insulting editorial “Winning the Appropriation Prize” in the recent
issue of Write magazine, which was
intended to spotlight the work of Indigenous writers, shows that we don’t have
a diversity problem in Canadian media but a whiteness problem.
As
Jesse Wente points out right away, Canada itself is an example of
appropriation. This is something that tends to remain unacknowledged by anyone
who isn’t an Indigenous person. Canada is a colonial settler state; we live on
stolen land, where the colonial perspective dominates any discussion of history,
past or ongoing. Indeed, our government continues to
push the idea that we should be celebrating 2017 as the 150th
anniversary of this country’s existence. What? Apart from the obvious fact that
this landmass we call “Canada” existed long before 1867, does Confederation generally get the
average Canadian excited? I know it’s what Canadians celebrate every July 1st,
but I’m not sure they all know that colonialism is what they’re celebrating. So,
why exactly is a government that purports to be committed
to truth and reconciliation so eager for us all to participate in insulting Indigenous
peoples further by extending the one-day annual celebration to the whole year?
Jonathan
Kay, who is no stranger to controversy, reinforces his
social location throughout his commentary in the CBC video, as he tends to do. He accuses the
Writers’ Union of Canada (TWUC) Equity Task Force of trying to shame Niedzviecki
and commends less strident voices for critiquing Niedzviecki in a way that Kay
finds more appropriate. Let me clarify what I’m getting that: Kay chooses to
use his first minute of airtime (1) to admonish the TWUC Equity Task Force for
being mean to the white editor who used his position to undermine the purpose
of the issue of the magazine and (2) to tone police, which includes applauding
those whom he perceives as the good detractors. Kay then goes on to criticize
the TWUC Equity Task Force again for going after Niedzviecki for being racist, as
if he had said “something that was akin to neo-Nazi propaganda.” Kay also
admits that he did not like the editorial either because it was “flippant about
a serious subject and insulting, given that the issue itself was about
Indigenous writers.” This highlights a common problem in the discussions
surrounding racism in this country. Many seem to be under the impression that
racism means only using racial slurs and promoting or committing violence
against racialized people. This is why Jonathan Kay could criticize the
editorial on Saturday despite having chosen to put himself in the middle of the
“Appropriation
Prize”
controversy on Twitter
on Wednesday: he seems to believe that he is one of the good white people.
At
this point, Jonathan Kay tries to distance himself from the controversy by
clarifying that he wasn’t one of the people who offered to put up money for the
“Appropriation Prize.” So, once again, we see the narrative of the good white
guy creep in. But as I stated above, Kay actually chose to insert himself in
this controversy in the first place by taking to Twitter to criticize those
reacting to the offensive editorial. That he did not offer to donate to fund
this fictitious prize is not the point—and, in fact, in highlighting this, he
chooses to centre himself in the larger debate. It is somewhat ironic, then,
that good guy Jonathan Kay did not use his position to tell the other white
editors/writers that they were being insulting, if that is what he truly
believed at the time. It is easy to apologize for not calling them out after
contemplating the reactions to their statements. Yet Kay shows his
unwillingness to listen by continuing to use this CBC platform to chide the TWUC
Equity Task Force for accusing Niedzviecki of racism.
As
Jesse Wente asserts, we need to move past apologies and reach a point where we
see real change, and we must “move
beyond conflating free speech debate and artistic expression with ongoing
colonial appropriation.” After all, the popular accusation is one of political correctness run amok any time
whiteness is called out for doing what whiteness is meant to do—centre and
uplift itself as if it is innately rational, righteous, and meritorious.
Interestingly,
Kay unwittingly underlines the problem of whiteness when he reassures us that
the first issue editors discuss at meetings is diversity. In other words, the
media has always been controlled by white people and continues to be controlled
by white people, who have the privilege of selecting which other voices they
will allow to enter their space. This matter was most recently visible in the case
of columnist Desmond Cole’s resignation from the Toronto Star, whose gatekeepers seem to have had a problem with his
activism.
It
is unfortunate that we are still in an environment where Jesse Wente has to
participate in such discussions with the likes of Jonathan Kay, and that he
must do so with such composure. If Wente were to express himself in a way that
the white establishment deems impolite, he would no longer have a voice in
mainstream media. And that is the crux of the diversity matter: no matter how
many diverse faces and voices are out there, well-off white people continue to
make the decisions. We do not need to work harder at diversity and inclusion;
we need to replace the system so that whiteness is no longer synonymous with
decision-making in this country. And since those who belong to the
establishment are so fond of the idea of people coming up based on merit,
surely they won’t object to such a change.
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